The return of a green sensibility is particularly gratifying to architects who trained in the 1970s. This was during the first energy crisis, which shocked us into awareness of poor resource use and its environmental consequences. Architects such as Charles Rose in Somerville, Massachusetts, who I profiled (below) for BG+H in American Builders Quarterly magazine, speaks to this issue. As a writer on sustainability and environmental issues, I am thrilled to speak with designers like Charles Rose who create change, one building at a time.
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“It’s gratifying that sustainability is now in vogue,” says Charles Rose, president of Charles Rose Architects. The Somerville, Massachusetts architect remembers the first wave of eco-friendly design in the 1970s, and its subsequent decline over many years in the interim. But his unflagging interest in sustainability–and eco-friendly projects completed as long as 20 years ago, long before anyone was talking about carbon footprints–poised the firm to win the plum commissions they get today.
Rose-designed projects in diverse locations–from Massachusetts to Maine, New York, Florida, Indiana, Wyoming, South Dakota, and Oregon–include museums, schools, corporate offices, and residences that favor the health of the earth and that of the people inhabiting the structures. But it’s the aesthetic of Charles Rose-designed structures that capture the imagination.
Their work is widely published (e.g., Princeton Architectural Press, Architectural Record, INSITE, and The New York Times), while several organizations have awarded honors to many Rose designs. Perhaps the strongest endorsement of the firm’s facility with design is that several clients are themselves engaged in the arts: these include Atlantic Center for the Arts (New Smyrna Beach, Florida), Gulf Coast Museum of Art (Largo, Florida), Currier Center for the Performing Arts (Putney, Vermont), and Oregon College of Art & Craft (Portland, Oregon).
But all clients, including those outside of the arts, benefit from a distinct, design-centric approach that results in buildings that also function well. Rose cites characteristics of the firm’s process that ensure such an outcome:
- Dialogue: “The client is very involved in the process,” explains Rose. “It’s iterative, with lots of brainstorming to work through the program. We really listen, drawing our best ideas from clients.”
- Strong sense for craft and building: “An exuberant, sculptural attention to detail” is a hallmark of their projects, says Rose. For example, employment of ancient Japanese joinery techniques might be part of carefully conceived details in a project, designed by way of three-dimensional modeling. “We have a very sophisticated crowd at the office,” Rose says, referencing the digital capabilities of his staff.
- Hyper-vigilant construction supervision: Those 3-D models might include a mock up of all conditions of roofing, for example. Armed with such detail, project managers can provide close supervision on-site.
These working principles support proper and effective execution of sustainability practices that define the firm’s brand. But as Rose notes, LEED certification is required in the public domain and by most corporate clients. “Sustainability is more than just an overlay,” he says. “It has always been a strong link in our work, a natural part of form and circulation, how the project fits in the context of the local landscape and culture.”
As an example, Rose talks about their work on their work on Vermont’s Currier Center. The 22,000-square foot rehearsal and performance space borrows its roofline forms from the surrounding White Mountains. But the roof eaves also allow maximum light during winter months. The structure’s discrete spaces echo the farm buildings context of the surrounding community, while auditorium doors unfold to a natural clearing that allows outdoor performances in better weather.
Residential clients generally approach sustainability from a personal health and cost containment perspective. Non-toxic finishes, mechanical systems to limit mold, and the use of geothermal technologies often accomplish that.
“Forty percent of energy consumption is in buildings,” says Rose, who is excited about the Franklin Regional Transit Center in western Massachusetts, a Rose design likely to begin construction in 2009 and intended to achieve a net-zero carbon footprint. The 60,000-square foot facility will have 16 geothermal wells plus rooftop photovoltaic cells–all consistent with the firm’s pledge to achieve “the health, well-being and the aesthetic experience of place.”
The transit center may be in vogue today, but it’s hard to imagine low energy costs ever going out of fashion.